殷墟玉器的发现与研究概述
General Description on Yin Ruins Jade Objects Discovery and Research
丁思聪 唐际根
Ding Sicong Tang Jigen
（1．郑州大学历史学院，郑州，450001：2．南方科技大学，深圳，518055）
1. School of History Zhengzhou University. Zhengzhou 450001
2. Southern University of Science and Technology, Shenzhen, 518055)

内容提要：自从科学的考古发掘开始以来，殷墟玉器的材料不断积累。现有对殷墟玉器的研究，主要着眼于定名与分类、考古学文化、原料和产地、制作工艺、次生变化、文献学、玉器使用制度与社会文化等方面。妇好墓出土玉器在殷墟玉器中具有至关重要的作用，也使得相关研究产生了一定的偏向。推进现有的殷墟玉器研究，有赖于玉石材质科学鉴定、玉器工艺研究、系统的类型学分析、文学研究以及用玉习俗研究等领域的深入开展。
关键词：殷墟玉器 考古学 妇好墓
Abstract: Jades unexcavated in Yin Ruins mounted up continually since archaeological excavation started. Current studies about Yin Ruins jades mainly focus on naming and classification, archaeological culture,mineral species and sources, jade-carving technology, secondary alteration, historical philology, jade using custom and consuetude rite, etc. Jades uncovered in Fuhao Tomb played a major role in Yin Ruins jades, and led to certain inclination in academic researches. Current studies could be furthered through scientific detection on materials, microscratch observation of jade-carving technology, scientific classification and periodization studies on historical philology, research of jade-using custom, etc.
Key Words: Yin Ruins jades; archaeology; Fu Hao Tomb

迁台殷墟玉石器述略
General Research on Yin Ruins Jade Objects in Taiwan
钱益汇 朱雪峰
Qian Yihui （首都师范大学，北京，100048）
Capital Normal University, Beijing. 100048)

内容提要：本文通过对迁台殷墟玉石器的系统整理，简要总结了此批玉石器的数量、类别、分布状况，并进一步探讨了有关殷墟玉石器的制作工艺与装饰手法、造型传统与使用功能等问题，为深入认识殷墟玉石器特征及相关问题提供了新材料。
关键词：迁台 殷墟 玉石器
Abstract: This article based on the collection of jade and stone artifacts in Taiwan, which was originally excavated at Xibeigang in Yin Ruins. This article summarized in number, category and distribution And issues such as the technique, ornament, traditional formation and function, were also discussed in this article. This research will provide new materials to deeply comprehend the characteristic of jade and stone artifacts in Yin Ruins and to solve some other questions.
Key Words: Taiwan; Yin Ruins: jade and stone artifacts

甲骨文中的玉文化＊
Jade Culture in Oracle Bone Scripts
徐义华
Xu Yihua
（中国社会科学院历史研究所，北京，100710）
The Institute of Archaeology CASS, Beijing, 100710

内容提要：本文从甲骨文中的“玉”字和以“玉”为偏旁的字入手，考察了甲骨文中所见的玉器及其使用情况，认为用玉在商代非常普及并且形成了一定的割度。甲骨文与传世文献中对用玉的记载侧重点不同，甲骨文中的记录是不同玉器在具体场合中的作用，传世文献的记录的玉器多作为财富与政权的象征，这是由于不同记录栽体的目的和功能不一样导致的。
关键词：玉 玉器 用玉 甲骨文 传世文献
Abstract: This article studies jade use in oracle description by analyzing oracle characters like Yu (jade) and other sided with Yu (jade). This article holds that jades usage in Shang Dynasty has formed a system. In oracles and historical materials, jade has different descriptions. Oracle usually carved with the usage of different jade objects in certain conditions while jade objects are symbol for wealth and power in historical materials. This difference emerges because oracles and historical materials share varied aim and function.
Key Words: Jade, jade objects, jade usage, oracles, historical materials

妇好墓玉器的发现与研究
Discovery and Research on the Jades from the Fu Hao Tomb
翟少冬
Zhai Shaodong
（中国社会科学院考古研究所，北京，100710）
The Institute of Archaeology CASS. Beiing. 100710

内容提要：妇好墓是迄今所发现的出土随葬品数量最多的一座殷墟大中型墓葬。本文梳理了妇好墓的发现和发掘过程、妇好墓的重要考古发现、妇好身份的研究，并对妇好墓出土玉器的数量、种类及其玉料、工艺、风格、文化归属等方面的相关研究做了综述。妇好墓的发现与研究为研究商代贵族的墓葬形制、丧葬制度、礼乐制度、社会发展、手工业生产等情況提供了丰富的材料。其出土的玉器也是我国单个墓葬出土玉器之最，为研究商代的制玉工艺、用玉制度、玉器功能、玉器文化等提供了不可多得的材料。
关键词：妇好墓 玉器 棺椁
Abstract: Fu Hao Tomb is a large and middle-sized burial with the largest number of grave goods found at the Yin Ruins so far. This article introduces its discovery and excavation, its important archaeological discovery, the research on the identity of Fu Hao, and the related research to the quantity, types, material technology, character, culture affiliation of unearthed jades as well. The discovery and research on Fu Hao Tomb supply rich materials for studying the shape and structure of the elites tombs, burial system, ritual system, social development and craft production during the Shang Dynasty. The jades unearthed from this tomb has a much larger number than those from any other single tomb, and provides precious information for studying jade production technology, jade usage system, jade function, jade culture and so on.
Key Words: Fu Hao Tomb；jades; inner and outer coffin

妇好墓玉器的艺术成就
The Artistic Achievement of Jades from Fu Hao Tomb
刘允东
Liu Yundong
(山东工艺关术学院人文艺术学院，济南，250300）
(School of Arts and Humanities of Shandong University of Art and Design, Ji'nan, 250300)

内容提要：妇好墓玉器与其他商代遗址出土玉器相比有相似性，也有鲜明的特点。妇好墓玉器型多样，各装附件与多种形态的装饰纹样互相组合，形成特征鲜明且变化多样的效果。在雕琢工艺上，阴线技术广泛使用，片雕与圆雕的搭配，进一步丰富了玉器的组合。这些特征的形成与材料、加工工艺、上层的意识形态及工匠的自主选择等方面的因素密不可分，因而体现出一个普遍的原则：艺术品最终形态的形成是多种因素合作用的结果。
关键词：妇好墓 玉器 艺术风格 成因
Abstract: Jades from Fu Hao Tomb have many characteristics in common with other jades from tombs unearthed at the Shang Dynasty sites, but they also have their own distinct features. The diverse shapes and the combination of all kinds of omamental accessories and decorative patterns of jades from Fu Hao Tomb form characteristic and diverse visual effects. In terms of carving techniques, the extensive use of negative line and the match of reliefs and sculptures further enrich the combinations of the jades. These characteristics are highly correlated with materials, processing techniques, the independent choices of craftsmen and ideology. Therefore, it is a general conclusion that the final forms of artwork are the result of the comprehensive eftect of vanious kinds of factors.
Key Words: Fu Hao Tomb;jades; artistic style; factor

妇好墓出土人像及相关问题探讨
Research on Jade Figurines from Fu Hao Tomb and Related Problems
王苹
Wang Ping
（中国社会科学院考古研究所，北京，100710）
(The Institute of Archaeology CASS, Beijing, 100710)

内容提要：通过对殷墟妇好墓出土人像和红山文化人像的对比分析，总结出殷墟妇好墓出土的人像受到了红山文化时期人像型特征、使用传统等方面的强烈影响。此外，妇好墓还出土有受红山文化风格影响的圆雕蜷体玉龙和明确属于红山文化的典型玉器。所以，商代文明社会的形成和发展及商文化的起源与辽西地区山文化有密切传承关系。红山文化时期，原始宗教信仰发达，祖先崇拜、龙图腾崇拜观念发展成熟，这两者均为商代祭祀活动的主要对象。越来越多的考古证据表明，商王朝造者的祖先可能源自西河流城。也正因如此，我们认为成于距今5300－5000年的红山文明，应为中华五千年文明的重要源头之一。
关键词：殷墟 妇好墓 玉人 红山文化 玉龙 文明
Abstract: Through a comparative analysis of the figurines in Yin Ruins Fu Hao Tomb and Hongshan Culture, it is concluded that the figurines in Fu Hao Tomb have been strongly influenced by the appearance feature and traditional function of figurines in Hongshan Culture. In addition. Fu Hao Tomb unearthed with curly-up dragon jade, which was influenced by Hongshan Culture, and with typical jade artifacts belonged to Hongshan Culture. Therefore, the formation and development of the civilized society in the Shang Dynasty and the origin of Shang culture were closely related to Hongshan Culture in western Liaoning area. During the Hongshan Culture period, the primitive religious beliefs developed. The concepts of ancestor worship and dragon totem worship complcted, both of which were the main objects of sacrificial activitics in the Shang Dynasty. More and more archaeological evidence shows that the ancestors of Shang Dynastys founders could come from the West Liaohe River asin. For this reason, we believe that the Hongshan civilization formed in 5.300 to 5.000 years ago should be one of the important sources of China s five thousand years of civilization.
Key Words: Yin Ruins; Fu Hao Tomb, jade figurines: Hongshan Culture; dragon jade; civilization

妇好墓出土玉器中的遗玉略论
Jade Objects from Previous Era Unearthed in Fu Hao Tomb
王青
Wang Qing
（山东大学文化遗产研究院．济南，250100）
Institute of Cultural Heritage, Shandong University, Ji'nan, 250100

内容提要：妇好墓是迄今为止一次出土玉器最多的先秦时期墓葬，本文根据对此墓部分玉器实物的考察，识出28件前代遗玉，主要有玉玦、勾形器、勾云形珮、璇玑、玉钺、玉戚、玉琮、玉璧、有领玉璧、柄形器、鹰形笄等，来自于燕山以北地区的兴隆洼文化、红山文化和夏家店下层文化、西北地区的齐家文化，以及中原及海岱地区的龙山文化、陶寺文化和二里头文化等。其中保存完整的道玉不多，多数已被分解改制或仿制，这些做法对晚商玉器传统的形成有重要影响。
关键词：妇好墓 遗玉 晚商玉器传统
Abstract: Until now, Fu Hao Tomb contains the most number of jade objects from previous time. Based on this fact, this article observes jades in Fu Hao tomb, discerning 28 pieces of jades (including jue, hook-shaped object, Pei, Xuan Ji, Yue, gi, cong bi, handle-shaped objects, Ji. etc)from previous time. These jade objects orginally come from north of Mountain Yan, like Xinglongwa Culture, Hongshan Culture and Lower Xiajiadian Culture, Qijia Culture in the northwest; Longshan Culture, Taosi Culture and Erlitou Culture in the middle plain area and Shandong province; etc. Though there are few jades preserved in intact condition, most of them were reshaped or split, these jades have huge influence on Late Shang Dynastys jade tradition.
Key Words: Fu Hao Tomb: jade objects from previous era: late Shang Dynastys jade tradition

德育新沃土：博物馆德育项目的研究与开发
New Fertile Soil of Moral Education: Research and Development of Museum Moral Education Projects
吕欣姗
lyu Xinshan
（北京师范大学教育学部，北京，100875）
Faculty of Education, Beijing Normal University, Beijing, 100875)

内容提要：德育作为青少年教育的重要内容，正不断寻求新的教学形式。博物馆以其独特的资源和组织类型，为学校德育提供了动力。本文通过收集并研究国内外经验，结合目前博物馆资源的类型和教学方法的发展，总结出一套系统的博物馆德育方案：第一部分提出发挥博物馆主导功能，以间接德育为主要手段，以展厅、专用教室和馆外三个主要场地为出发点，结合不同的教学方法与课程内容开展德育活动。第二部分提出建立馆校合作的长效机制，包括三类主要形式：德育课进入博物馆；博物馆资源进入教科书、校园；馆校合作制特色教材，开发德育课程。试图弥补博物馆教育在德育领域的缺失，为博物馆开展德育工作提供参考。
关键词：教育 德育 博物馆 馆校合作 社会教育
Abstract: Moral education, as an important part of education, is constantly seeking new forms of teaching methods. With the unique resources and organization types, museums provide impetus for school moral education. By collecting and studying the existing domestic and foreign experiences, combining with different kinds of current museum resources and the development of teaching methods, it summarizes a set of systematic museum moral education programs. The first part is the museum-led scheme. Indirect moral education is the main means. The three main venues are the exhibition hall, the special classroom and places outside the museum. It combines different teaching methods and course contents. The second part puts forward a long-acting mechanism of establishing the museum-school cooperation, including three main forms moral education enters the museum: museum resources access to textbooks/campus: cooperation between museum and school develops special teaching materials and moral education courses. It tries to make up for the lack of museum education in the field of moral education and provide reference for museums to carry out moral education.
Key Words: Education: moral education; museums: museum-school cooperation; social education

博物馆策展
——在规划、开发和创新体验设计上的合作及其行动步骤
Creating Exhibition: Collaboration and Action Steps in the Planning ,Development, and Design of Innovative Experiences
波利•麦肯纳—克雷斯 珍妮特A．卡曼 著 周婧景 译
Polly Mckenna-cress Jannet A. Kamien Translated by Zhou Jingjing
（1．美国宾夕法尼亚州费城艺术大学博物馆学系；2．美国；
3．复旦大学文物与博物馆学系，上海，200433）
(1. Department of Museum Studies, University of the Arts, Philadelphia, PA: 2. USA
3. Department of Culture Heritage and Museology, Fudan University, Shanghai, 200433)

内容提要：现代博物馆风貌的第一次巨变是关注点从物转向人，展览的目的“不但是有关物，而且为了人”。最近的变化是注意力从访客转向了合作者。许多博物馆专家不仅对这些转变欣然接受，还从一开始就推动此类事件的发展。博物馆从静态的机构被重塑为动态的、包容的、与访客密切相关的机构。根据展览的规模、预算和背景，文章建议由五种倡导者合作策展，其分别为展览机构倡导者、展览主题倡导者、访客体验倡导者、设计倡导者、项目和团队倡导者。本文对每种倡导者的定义、职责、所需技能和行动步骤进行了概述，同时强调各个环节倡导者的合作，从而促使每位倡导者在相应位置发挥适得其所的功能。
关键词：展览策划 合作 倡导者 行动步骤
Abstract: The first seismic shifts in the modern museum landscape turned attentions from object to observer, with exhibitions purpose "not only being about something but for someone”. More recent shifts have turned visitor into collaborator. A number of museum professionals not only have embraced these shifts but also are the advocators that had pushed such issues from the start. Many museums and heritage sites are reshaped from static organizations into dynamic, inclusive, and relevant institutions. Depending on the size, budget, and background of the exhibition, the exhibition shall be proposed by five main advocates, including advocacy for the institution, advocacy for the subject matter, advocacy for the visitor experience, advocacy for the design, advocacy for the project and team. This paper will present an overview of the definitions, responsibilities, required skills and action steps of each advocate, while with emphasis on the collaboration of the advocates at each stage, enabling each advocate to perform its function at the right place.
Key Words: Creating exhibition, collaboration, advocacies; action steps

秦始皇陵遗公园展示系统构造研究
Theming the First Qin Emperors Mausoleum Site Park
王刃馀
Wang Renyu
（中国社会科学院考古研究所，北京，100710）
The Institute of Archaeology, CASS, Beijing, 100710

内容提要：秦始皇陵是中国最早蕴含“天下”含义的皇家丧葬与祭祀景观系统。它的选址与营造都是具有国家政治含义的系统工程。2013－2014年，笔者有幸参与了秦始皇陵国家考古遗址公园的部分规划研究工作。这项对帝陵陵园的展示深化工作的主要目的是调整帝陵的展示重心，即从单纯意义上的兵马俑坑遗迹展示变为以帝陵陵园景观为核心的综合性展示。故希望从对帝陵陵园核心价值载体利用的角度对遗址的展示内容的构造原理进行解析。
关键词：规划公园 空间层级 分区 构造 形态
Abstract: The construction of the Lishan yuan, the official name of the site of the First Emperors burial, can be regarded as the consequence of the Qins land resource management policy applied in Guanzhong Plains in the reign of Ying Zheng. This paper begins with an explanation of the topography of the Mausoleum landscape from which it moves on to discuss the basic thoughts of the planners about the siting of the burial proper and, finally, introduces the whole theming process during the creation of the Mausoleum site park.
Key Words: Archaeological site park; spatial production; landforms; contours; siting

继续：
国家考古遗址公园的实践与思考
Practice and Thinking on National Archaeological Park in China
滕磊
Teng Lei
（中国文物信息咨询中心，北京，100029）
China Cultural Heritage Information and Consulting Center, Beijing, 100029

内容提要：考古遗址公园与大遗址保护息息相关。作为大遗址保护的重要方法之一，近十年来国家文物部门花费了巨大的力气推动国家考古遗址公园的理论研究和实践，并取得了丰硕的成果。本文在回顾大遗址保护与国家考古遗址公园理论与实践的基础上，根据国家考古遗址公园创建运营的评估，提出了存在的问题，并结合我国国家公园的建设总体方案，对遗址公国的未来之路进行了思考。
关键词：大遗址 国家考古遗址公园 国家公园
Abstract: National Archaeological Park and the Great Sites protection have an closely internal connection. As one of the important methods on the Great Sites protection in China, the State Administration of Cultural Heritage has paid lots of hard works in order to improve relative researchers and practices in last 10 years, and has harvested fruitfully. This article, by reviewing these theories and practices, according to the assessment during National Archaeological Parks establishment and management, concerns on the problems currently, at the same time thinks about its future road.
Key Words: The Great Sites; National Archaeological Park: national park

试论《溪岸图》与《风雨归庄图》的关系
Relationship between the Riverbank and the Returning Home in Rain
杨凯琳
Kathleen Yang
纽约，美国）
New York, USA)

内容提要：2017年《溪岸图》正式入藏美国大都会艺术博物馆，真伪之争告一段落。本文从《溪岸图》的流传、藏印鉴定等方面论证了这幅画作绝非张大千伪造。从画风探讨了《溪岸图》当为五代时期作品，其作者应是董源。而从“天水郡收藏书画印记”考证为庄囧生收藏印出发，以《溪岸图》绘画内容情形与庄囧生藏画记载相对照，查明《溪岸图》和庄囧生所藏董源《风雨归庄图》如出一辙，初步确认《溪岸图》就是《风雨归庄图》，并为《溪岸图》或《风雨归庄因》的流传勾勒出清晣的脉络。
关键词：《溪岸图》 天水郡收藏书画印记 庄囧生 董源 《风雨归庄图》
Abstract: In 2017, The Metropolitan Museum of Art announced the donation of the controversial painting Riverbank to the museum by Oscar L. Tang. Evidence from collectors seal impressions, historical records and correspondence from Xu Beihong, describing purchase of this painting lend support to prove this painting Riverbank is not a forgery by Zhang Daqian. The details in this painting when compared with other contemporary paintings of this period demonstrate favorably this is a work of the Five Dynasty and authentic creation by Dong Yuan. Research work has proven the collectors seal impression "Tianshui jun shoucang shuhua yinji" belongs to a seal used by the collector Zhuang Jiongsheng. This information made it possible to use descriptions of historical collections from documents to trace the provenance of this painting. Evidence clearly supports the painting Riverbank is the same as Returning Home in Rain by Dong Yuan, in the collection of Zhuang Jiongsheng. With this confirmation, it is now possible to trace the provenance of Riverbank or Returning Home in Rain.
Key Words: Riverbank: Tianshui jun shoucang shuhua yinji; Zhuang Jiongsheng: Dong Yuan; Returning Home in Rain

江苏邳州戴庄九女墩出土东周铜豆的修复研究
Restoration and Research on Bronze Dou Unearthed from Jiunyudun, Pizhou, Jiangsu
刘彦琪 孙向阳
Liu Yangi Sun Xiangyang
（1．北京大学考古文博学院，北京，100871；2．邳州博物馆，邳州，221300）
1. School of Archaeology and Museology, Peking University, Beijing, 100871
2. Pizhou Museum. Pizhou. 221300)

内容提要：本文是关于对邳州出土东周徐国青铜器的修复和研究。由于文物一经修复，许多信息被封存起来，不易再被观察，因此本文尝试将器物修复与研究同时进行。在修复过程中进行器物研究，通过器物研究指导修复，进而选择合理的修复工艺和材料。在修复过程中对器物观察分析的基础上，复原了这件徐国青铜器特殊的制作技艺，确认其使用了分铸和鑞焊技术。
关键词：徐国 青铜器 修复与研究 技术交流
Abstract: This thesis is about the restoration and research on a bronze belongs to Xu Guo in Eastern Zhou Dynasty, which unearthed from Pizhou. Many important phenomena were sterilized after restoration and we can’t see them any more. So it's very important to do the restoration and research at the same time, and the deeply understanding on research will help us to select the right material and technique for restoration. Based on the observation and analysis in the process of restoration, we understood the special techniques of this ancient vessel, and confirmed the vessel was made by separated casting and welding.
Key Words: Xu Guo: bronze: restoration and research; technical interchange

文化创意产业与中小型博物馆融合发展实践探索
——以廊坊博物馆文化创意产品发展为例
The Exploration in Practice of the Integrative Development of Cultural Creative Industries in Small and Medium Sized Museums:
A Case Study of the Development of Cultural Creative Products in Langfang Museum
王丽娟
Wang Lijuan
（廊坊博物馆，廊坊，065000）
Langfang Museum, Langfang 065000)

内容提要：本文以廊坊博物馆文化创意产品发展为例，通过对廊坊博物馆文化创意产品开发策略及营销模式的分析，旨在探索中小型城市博物馆与文化创意产业融合发展的模式及经验，为中小型城市博物馆文化创意产业发展提供借鉴。
关键词：中小型博物馆 文化创意产业 融合发展 实践探索 廊坊博物馆
Abstract: Taking the development strategy and marketing mode on cultural creative products of Langfang Museum as an example, this paper aims to explore the mode and experience on integrative developmentof culture creative industries in small and medium sized museums, so as to provide a reference for the development of cultural creative industries in relevant museums.
Key Words: Medium and small museums; cultural creative industry; integrative development; exploration in practice; Langfang Museum

浅析RFID技术与藏品管理系统的融合之道
A Brief Analysis of the Method of Integration between RFID Technology and the Collection Management System
刘朝东
Liu Chaodong
（常州博物馆，常州，213000）
Changzhou Museum, Changzhou, 213000)

内容提要：近年来，无线射频识别技术（RFID）在各个领域得到了广泛的应用。该技术能够快速准确地进行藏品信息的采集和识别，对其存放环境进行动态监测；基于相关技术特点，RFID技术应用于藏品管理有助于提高藏品管理的水平和效率，同时也是确保藏品安全的必要的技术手段之一。本文主要介绍了RFID技术以及RFID在我馆应用的可行性，并结合我馆实际情况，提出了“1＋1＋1”的藏品管理平台模式。
关键词：RFID技术 藏品管理 藏品管理信息系统 传感器网络
Abstract: In recent years, radio frequency identification(RFID)technology has been widely used in various fields. This technique make the collection and identification of collection information quick and accurate and can dynamically monitor the storage environment; the application of RFID technology in collection management is helpful to improve the level and efficiency of collection management, but also a necessary technical to ensure the safety of the whole collection. This paper mainly introduces the RFID technology and the feasibility of RFID application in our museum. Combined with the actual situation of our museum, it puts forward the"1+I+I platform mode of the collection management.
Key Words: RFID technology; collection management; collection management information system; sensor network

具象与抽象的距离——关于展览中护栏应用的三个问题
Representational and Psychological Distance: Three Questions about the Application of Barrier Ropes in the Exhibition
于晖
Yu Hui
（中国妇女儿童博物馆，北京，100005）
China National Museum of Women and Children, Beijing, 100005)

内容提要：作为展品保护的措施之一，护栏是必要的，这一点毋庸置疑。然而，在传统视野中，护栏始终是展览设计的边缘和陪衬，行业内对于如何使用护栏似乎还没有形成共识，相关论述也寥寥可数。当前，艺术设计在展览中的地位不断提高，并成为衡量一个展览优秀与否的重要标准，而护栏作为整体设计的一部分，也在一定程度上制约着观众的情感导向。因此，针对展览环境中护栏应用存在的一些问题进行探讨是很有意义的。
关键词：护栏 展览 情感化设计 心理距离
Abstract: As one of the measures for the protection of exhibits, the barrier ropes is necessary, and this is beyond doubt. However, in the traditional view, the barrier ropes is always the edge and foil of the exhibition design. It seems that there is not a common understanding of how to use the barrier ropes in the industry, and there are few relevant discussions. At present, the status of art design in the exhibition is constantly improving, and it has become an important criterion for measuring the excellence of an exhibition. As a part of the overall design, the barrier ropes also restricts the emotional orientation of the exhibition to the audience to a certain extent. Therefore, it is meaningful to discuss some of the problems in the application of barrier ropes in the exhibition environment.
Key Words: Barrier ropes; exhibition; emotional design; psychological distance

展览中的光表达——以“走进养心殿”展览为例
The Expression of Light Design in Exhibition: The Case of Hall of Mental Cultivation in the Forbidden City" Exhibition
索经令 倪翀
Suo Jingling Ni Chong
（首都博物馆，北京，100045）
Capital Museum, Beijing, 100045)

内容提要：博物馆照明越来越成为博物馆学中的一项重要研究课题，它不仅体现在照明技术和灯具运用等方面，还要兼顾对博物馆展品的保护，更重要的是为参观者创造出良好的视觉环境。本文以首都博物馆举办的“走进养心殿”展览为例，探讨了怎样用光才能表达出好的展览效果，以及照明与展览内容、形式设计、美学、心理学等各方面之间的相互影响。
关键词：照明设计 视觉环境 参观心理
Abstract: Museum lighting design has become an important research topic in museum science, not only in the use of lighting technology and lighting, but also take into account the protection of museum exhibits, more importantly, creating a good visual environment for visitors. This paper takes the "Hall of Mental Cultivation in the Forbidden City "exhibition held by Capital Museum as an example, explores how to use light to express the exhibition effect, as well as the interaction among light design and various parts of exhibition, such as aesthetics, psychology and other aspects.
Key Words: Light Design; visual environment; visiting psychology