1． 印记仰慕 化为永恒 李理 杨洋
——古书画上常见的清朝官私鉴藏印
古书画上常见的官私鉴藏章。既有历朝宫廷、内府的收藏著录印，又有各个时期私人藏家的秘藏章。古书画上的官私鉴藏印，凝聚了大量文物信息，成为我们今天鉴识古书画真伪的重要参考对象。本文依据北京故宫、沈阳故宫、台北故宫和辽宁博物馆等单位收藏品，对古代书画上常见的清朝宫廷、几大私家鉴藏印予以分类介绍，并涉及在古书画上的使用加盖等情况。
On ancient calligraphy and paintings, there were a lot of official and private seals which include the seals of imperial palace and the ones of private collector. The seals contain much more relics information and can be used to identify the antiques. According to the collection of Beijing Palace Museum, Shenyang Imperial Palace Museum, Taibei Palace Museum and Liaoning Museum, the paper classified and introduced the seals which were often seen on ancient works.
2．宫廷遗珍——旅顺博物馆藏明清宫廷档案展》综述 房学惠
旅顺博物馆藏有大量明清宫廷档案文书，是了解明清宫廷文书制度，礼仪制度及相关宫廷文化的重要实物资料。本文对最近旅博推出的《宫廷遗珍——旅顺博物馆藏明清宫廷档案展》从展品概况、内涵二方面切入作介绍，以见旅博所藏明清两代宫廷档案珍品之一斑。
Lushun Museum collected a lot of archives of imperial palace of Ming and Qing dynasties which could be used as objective materials to understand the archive system, etiquette system and imperial palace culture. The paper introduced the exhibition of archives held at Lushun Museum.
3．沈阳故宫院藏笔筒赏析 王建芙
沈阳故宫所藏笔筒取材多样，即有竹、木、陶瓷、玉石、象牙、玻璃等；从制作手法看，采用刻、镂、雕、绘等手法。本文择取19件笔筒精品，取材分瓷制、竹雕、牙雕、木雕及玉石、水晶等，领略到沈阳故宫院藏的精采之所。
The brush pots of Shenyang Palace Museum were made of bamboo, wood, ceramics, jade, ivory and glasses, etc. The paper selected and introduced 19 brush pots.
4．胡绳旧藏三种 吴言，武宗华
胡绳（1918-2000）原藏图书碑帖三种，包括毛泽东生前圈点的两本书《晚清文选》、《卷施阁集》册一，《二程全书》及苏轼（款）拓本五品。这三种图书碑帖胡绳生前捐赠湖北襄樊市图书馆。现单独予以揭载并对涉及图书碑帖的背景、现状、批注、收藏等相关情况作详细的交待。
Hu Sheng (1918-2000) collected three rubbings of stone inscription, including Selected Works of Late Qing Dynasty, Juan Shi Ge Ji commented by Mao Zedong, and Er Cheng Quan Shu etc. Three kinds of rubbings were donated to Xianfan Library of Hubei province when Hu Sheng was alive. The paper exposed the collection and introduced their background, current situation, commentary and collection situation, etc.
5．简论陈献章的书法艺术 海国林
陈献章是明代著名学者，同时又是一位出色的书法家。本文主要讨论陈献章书法艺术方面的成就，兼及他书学思想的来源，并选择他的一些代表作具体解析，旨在揭出其在书法方面的贡献。
Chen Xianzhang was the famous scholar and perfect calligrapher of Ming dynasty. The paper mainly discussed his achievements and noematic origin of calligraphy. Meanwhile, the paper also selected and appreciated his some represented works.
6．一件署款金品卿的青花大尊 赵磊
介绍天津艺林阁收藏的一件署有金品卿款的青花花鸟纹竹节耳盖碗尊。金品卿瓷绘作品多以浅绛彩流传，青花瓷作鲜有。
The paper introduced a blue-and-white bowl with flowers, birds and bamboo patterns which was signed with Jin Pinqing. Most popular paintings of Jin Pinqing were painted in deep red, and he had rarely paintings on blue-and-white porcelain.
7.两汉铜镜铭文鉴赏 张宏林
举列说明两汉时期的铜镜铭文，无论是篆书、隶书，笔势刚健清新，排列疏密匀停，书写极其规范。这一时期的铜镜铭文，堪称古代书法艺苑中的一朵奇葩。
The paper illustrated the inscription in bronze mirrors of West and East Han dynasties and argued that the inscription was a treasure in Chinese calligraphy history.
8．披沙拣金二十载——陕西历史博物馆新入藏文物精粹展 师小群，呼啸
陕西历史博物馆新馆开馆二十年来文物征集文物12000余件，从中精选200余件珍贵文物举办陕西历史博物馆新入藏文物精粹展，展品有商周青铜器/历代陶俑/金银器/宋代吕氏家族金银扣器等。
Shanxi History Museum has collected 12,000 items of culture relics in 20 years. Shanxi History Museum selected 200 items from new collection and held the new classic collection exhibition. Some bronzes of Shang and Zhou dynasties, pottery figurines, gold and silver wares, gold and silver wares of Lu’s family of Song dynasty, etc are on display.
9．从崇祯和康熙青花比较鉴赏探过渡期青花之最后脱变 陈明良
——以宁波博物馆藏青花瓷为例
崇祯细路青花的出现是过渡期青花发展到康熙青花的关键。
The emergence of a group of porcelain named “Xilu Ci” in Chong Zhen period was the key to evolution of blue-and-white porcelain from transitional period to Kang Xi of Qing Dynasty.
10．清内府修书拾珍 王国庆
清内府不仅控制了清朝地方政府和民间出版机构的修书行为，而且清内府修书代表了有清一代出版印刷事业的最高水准。
The Imperial Household Department of Qing Dynasty not only managed publishing of local government and publishing houses, but also represented the top level of publishing in the whole Qing Dynasty.
11．山东博物馆收藏彩绘瓷虎枕 徐波
山东博物馆收藏有一件彩绘瓷虎枕，是明义士旧藏。考其年代，当为金代中晚期山西长治八义窑产品。
A colored porcelain pillow collected at Shan Dong Museum was from Bayi kilns of Shan Xi in the middle and late Jing Dynasty.
12．王鉴生平之几点考证 蔡星仪
本文讨论三点王鉴生平事迹：1王鉴为王世贞曾孙。2北京故宫藏《梦境图》为伪作。3崇祯十二年初任廉州知府即因反对开矿而遭罢官，并非辞官。
The paper talks about Wang Jian, including that he was the great-grandson of Wang Shizhen, that the picture of Dream (Meng Jing Tu) collected at the Palace Museum is counterfeit and that he was dismissed from magistrate of Liangzhou not resigned in the early 12 year of Chongzhen.