1．厦门华侨博物院收藏的两枚珍贵玉印章 赵宏伟
介绍厦门华侨博物院收藏的清代乾隆帝十一子成亲王永瑆所用玉印。
The paper introduces two seals of Prince Yongxing, the 11th son of Emperor Qianlong of Qing dynasty, which are now collected at Xiamen HuaQiao Museum.
2．民国瓷器概说 李晔
民国瓷器在近20年中日益受到文物界、收藏界和学术界的重视。民国瓷器对于千年传统瓷器文化既有传承和模仿，更有变革与创新。本文介绍该时期的官窑、珠山八友等瓷绘名家以及这一时期的仿古瓷、景德镇与醴陵的创新瓷器。
The porcelains produced in the period of Republic of China are paid attention in recent 20 years. The porcelains of the period not only inherited and imitated the traditional Porcelains with a-thousand-year history, but also made some revolution and innovation. The paper introduces porcelains painters and some imitative ancient porcelains and innovative porcelains from Jingdezhen and Liling kilns.
3．色彩斑斓 五彩缤纷 李伟
——河南省文物交流中心藏唐代陶瓷
介绍河南省文物交流中心收藏的唐代三彩、白釉、绞胎等陶瓷器。
The paper introduces some ceramics, such as three-color glazed pottery, white glazed, etc.
4．浅谈新石器时代玉琮 乔万宁
On Jade of Neolithic Age
Qiao Wanning
5．上海出土宋明两代金银器珍品 孙维昌
已有的考古发掘显示，金银首饰的使用在我国已有近4千年历史。本文汇集上海地区考古发掘60年出土的宋明两代金银器饰珍品，引征历史文献作相关说明，兼述宋明两代江南一代金银器饰品的生产、样式、日常应用情况。
According to archaeological excavation, gold and silver jewelry has near 4,000 years history. The paper collects and illustrates the classic gold and silver jewelry unearthed from Shanghai in recent 60 years. Meanwhile, the paper also presents the production, shapes and usage of gold and silver jewelry in Jiangnan area in Song and Ming dynasties.
6．撑持傲骨待春来 王舒羽
——吉林省博藏张伯驹书画
1957年著名收藏家张伯驹（1898-1982年）被划为右派，在陈毅、宋振庭同志的关怀下，张伯驹和夫人潘素来到吉林省博物馆工作，担任副馆长一职，度过了建国后最舒畅的数年。本文就吉林省博所藏张伯驹书画六件，结合其在吉博工作生活情况，对其书画作品背后隐藏的意义作解读赏析。
In 1957, the famous collector Zhang Boju(1898-1982) was denounced as a rightist. With the help of Chen Yi and Song Zhenting, Zhang Boju as well as his wife Pan Su came and worked at Jilin Museum as the deputy director. The paper describes and appreciates the six pieces paintings and calligraphy of Zhang Boju.
7．从马王堆汉绣看湘绣的传承与发展 康洁、毛勇臻
湘绣历史悠久，可追溯到二千多年前的春秋战国时期。长沙战国楚墓和马王堆出土的绣品证实当时成熟的绣技。本文全面梳理湘绣的历史、发展情况，并对湘绣的技艺题材、材料、审美形式作分探讨。
Xiang embroidery has a long history and can be dated to the Spring and Autumn Warring States Period more than two thousands years ago. The embroidery unearthed from Chu tomb and Mawangtui tomb can evidence the high level of the technology embroidery. The paper tells the Xiang embroidery’s history, evolution, and analyzes its subjects, materials and aesthetic types.
8．物形印章的发展和转捩 朱琪
——以宋元时期古器物形印章和书刻牌记为中心
传世品与考古发现中保留有大量宋元时期器物形、人物形、动物形、植物形印章，是当时文人阶层与民间文化的真实反映，本文首次对这些印章进行科学界定，并以宋元时期古器物形印章和书刻牌记为中心，探讨了此类物形印章的起源、发展和转捩过程。
There are many seals with ware, people, animal and plants shapes left, which reflected scholars and common people’s culture. The paper defines these seals at the first time and discusses their origin, development and turn.
9．明人手卷《秋江送别诗并图卷》赏析 邹建平、程慧宁
《秋江送别图》为况钟（1383-1442年）之子况宁在江西靖安来苏州省亲，返回故里时，文友们集体创作的一幅作品，作者集中了吴中士绅及游宦吴地25位名士。这件作品自明王统年以来，历经500年藏于况氏公祠内，1963年被征集入江西省博物馆。该卷具有较高的历史价值，一时名士荟萃，也有很高的艺术价值。
The painting of Qiujiangsongbeishibingtu was painted by 25 friends of Kuang Ning who was the son of Kuang Zhong(1383-1442), when he visited his relatives in Suzhou. The painting was collected at Jiangxi Province Museum in 1963. The painting was very famous and valued for its art and its creators.
10.青金石及其鉴藏 白洪丽
本介绍青金石在我国的流传使用及其鉴藏要点。
The paper introduces the lapis lazuli’s spreading and important points in identification and collection.
11．四川博物院藏唐卡 刘舜尧
四川博物院藏唐卡既有丝绸彩缎制作的国唐，又有毛笔颜料在纸布等到软底材料上绘制的止唐。本文介绍两套组唐：格萨尔王唐卡和印度八十四成道者。
Thanka collected Sichuan Museum were not only made of the silk but also generated by painting on soft materials (eg. paper cloth) with writing brush. The paper introduces two sets of thangka: King Gesar Thangka and 84 Sadhus of India.
12.元代沉船遗物现荷泽 孙明 张启龙
2010年9月发现的菏泽元代沉船是目前国内出土最大最完整的元代内河船，出土了包括元青花在内的近160件遗物，遗物种类之多/器型之丰富/制作之精美是我国历次内河古船考古发掘中所罕见。
Shipwreck of Yuan Dynasty which found at Hezhe in September, 2010, is the largest and most complete riverboat. And 160 items including blue-and –white porcelains were excavated. The excavation is rare in riverboat archaeology history for its amount of remains, variable shapes and elaborate craft.