1．同云霞媲美 与日月争辉 傅举有
——百年来考古发现的汉代刺绣

本文论述的对象是近百年来通过科学考古发现而得的汉代实物绣品。论述结合古代文献记载和考古发现的汉代竹木简文字记载展开，分别讨论见于出土的汉代绣品实物、绘画中绣衣、彩绘绣衣木俑以及汉绣的工艺、流程、品种、色彩等等，获得对汉绣比较全面的认识。

The paper centered on the embroidery of Han dynasties excavated in one hundred years. In terms of the ancient records and bamboo and wooden slips, the paper analyzed the unearthed embroidery, embroidery in painting, wooden figures with colorful embroidery and the technology, process, type and color, etc. and then acquired a general view of broidery of Han dynasties.

2．瑞宝阁阁藏金铜佛像研究 邢继柱
（五）藏西风格造像（12-14世纪）

介绍瑞宝阁收藏的12至14世纪藏西风格造像。藏西造像是在喀什米尔、尼泊尔等外来风格的影响下，逐渐形成了该地区的地域性风格。

The paper introduces the Buddha statues collected at Ruibao pavilion from 12 to 14 century. Influenced by Kashmir and Nepal, western Tibet statue was gradually coming into being.

3．定陵出土织物用料 王秀玲

介绍定陵出土的织物用料，如蚕线线、金银线、孔雀羽线等，说明定陵出土的织物，是专供御用品，质量极佳，代表了该时期织造工艺的最高水平。

The paper explained the materials of fabrics unearthed from Ding mausoleum included silk, cannetille, and feather thread of peacock. By those, it is shown that the fabrics from Ding Mausoleum were specially made for imperial palace with fine quality and represented the top level of weaving at that time.

4．再谈中国明清家具 张宏书

论述中国古典家具经历了从逐步演变到明清成熟的过程。

The paper researched the gradually evolution of the Chinese ancient classic furniture to be mature in Ming and Qing dynasties.

5.国家图书馆藏善本西厢记举隅 陈晓莉

介绍国家图书馆藏的几种善本西厢记。

The paper introduced several editions of Romance of Western Chamber collected at National Library.

6.吴越胜览——五代时期吴越国文物综述 黎毓馨

日前在浙江省博物馆开展的吴越胜览——唐宋之间的东南乐国，集各地出土的五代时期吴越国文物，展现了五代时期吴越国历史/宗教/工艺等多方概况。

The exhibition of “Splendid Culture of Wuyue State” was held at Zhejiang Museum Recently. Most of the antiques of Wuyue State during Five Dynasties Period unearthed from around of China were assembled in the exhibition and showed the general history, religion and craft of Wuyue State.

7．从三松堂到须静斋 丁小明
——清中期苏州贵潘书画鉴藏活动

苏州潘奕隽、潘世璜父子是清中后期江南著名的收藏家。本文以潘家为案例，探讨收藏家群体的收藏藏品趣味、著录、交游互动等等情况。

Pan Yijun and Pan Shihuang were famous collectors in the southern China in the middle and late Qing Dynasty. Taking the Pan’s family as an example, the paper discussed the Pan’s collection interests, writing and social relationship, etc.

8．黄公望《富春大岭图》流传考辩 张蔚星

《富春大岭图》是黄公望晚年山水画的代表作。由于这张画在历代公私家的书画著录中未少有刊载。故对其在历史上的流传过程，美术史界多语焉不详。本文在对这件作品本幅及裱边现存的历代题跋与印章做了全部考释基础之上，对这件名作在元、明、清三代的流传过程做了梳理。考证出这件作品在明代曾沈周、董其昌、吴之矩等人收藏，在明清之交，曾为洪承畴所藏.

Fuchundalingtu was the representative work of Huang Gongwang in his late years. Because this painting was not published in public painting records, it was not described clearly in art field. The paper studied its history and argued that it was collected by Zeng Shenzhou, Dong Qicang and Wu Zhiju in Ming Dynasty, and then, collected by Hong Chengchou during the late Ming and early Qing Dynasty.

9.旅顺博物馆藏《翁同和等人肖像册》及相关问题 房学惠

本文对旅博所藏《翁同和等人肖像册》的来源，存册画像情况，与叶恭绰《清代学者像传》关联以及动因作考察与说明。

The paper made a research on the origin and trails of the Portrait Album and explained the relationship with Scholar Biographies of Qing Dynasty by Ye Gongchao.

10．扎什利玛藏书铭文金铜造像类型及风格归类 孙涛

扎什利玛佛像代表了藏传佛教金铜造像艺术最后一个繁荣期的最高艺术水平。本文依据文献及北京白塔管理处收藏的带有藏书铭文的扎什利玛金铜造像，论述其类型及风格归类。

The Buddha statues of Zhashilima represented the top level of golden and copper Buddha statues of last prosperous period of Tibet Buddhism. The paper discussed the types and style of these statues according to the documentary records and the golden and copper statues of Zhashilima with Tibet characters inscription collected at the Beijing White Pagoda Management Office.