1.圣地宝藏——最接近天空中的宝藏展中的造像 王景荃

圣地宝藏——最接近天空中的宝藏，由中国文物交流中心及西藏自治区文物局主办，展出文除西藏/承德/北京三地博物馆展品外，还包括布达拉宫/罗布林卡/敏竹林寺等西藏重要寺院珍藏的造像/唐卡和宝器等。本文介绍的是造像展品。

Treasure Exhibition in Holy Land was held by Chinese Exchange Center of Cultural Relics and State Bureau of Cultural Relics of Tibet Autonomous Region. The statues, Tang Ka and ritual wares of important temples, such as Potala Palace, Norbulingka and Minzhulin temple, were on display except the relics from the museums of Tibet, Cheng De and Peking. The paper introduces the statues on display.

2.沈阳故宫藏寿山石赏析 栾晔

沈阳故宫收藏有数十件寿山石作品，有北京、上海调拨的，也有从社会上征集和各界人士捐赠的。寿山石作品以把件/印章居多。

About 10 piece of Shoushan stones are collected at Shenyang Palace museum. Most of works made of Shoushan stone are seals and handle piece.

3.点额不成龙 归来伴凡鱼 ——中国古代的鱼纹形器 李宝垒，张安生

介绍古代文物上的鱼纹及鱼形器。

The paper illustrates some relics with fish pattern or fish shape wares.

4.能执干戈 以卫社稷——青州市博物馆藏青铜戈赏析 徐清华

青州市博物馆藏青铜戈数量较多，类型较全，其中不乏大量精品。本文即以青州市博物馆藏青铜戈为例，讲述商至汉代的青铜戈特点。

Qingzhou museum has many and all kinds of bronze dagger-axes. Take the bronze dragger-axes as examples, the paper analyzed the characteristic of bronze dragger-axes.

5.蔡元培致朱镜宙信札六通 陈伟欢

本文介绍现藏于浙江温州博物馆的六通蔡元培（1868-1940年）写给朱镜宙（1890-1985年）书信，并对信中涉及的时事、人物、背景作相关链接交待。

The paper introduces six letters by Cai Yuanpei (1868-1940) to Zhu Jingzhou(1890-1985) and explained the events, people, background which were involved in the letters.

6.关于吐尔基山辽墓出土银壶所饰人物故事图 扬之水

本文对内蒙古通辽市科左后旗吐尔基山辽墓出土的一件银鎏金提梁扁壶，壶腹装饰人物故事图作释读，并对其本事作考释回顾。

The paper decoded the stories of figures on the golden pot unearthed from Liao tombs of Turki Hill of Inner Mongolia. Meanwhile, the author traced the story back and made a review in the article.

7．嵌粉彩景德镇风景瓷板六折屏风 刘禄山

本文介绍产生于上世纪50年代景德镇的嵌粉彩六景六折瓷板屏风。该画屏原陈列于人民大会堂江西厅，现藏江西省博物馆。本文对这六折瓷板画的内容、工艺、附属物及阴刻填蓝彩草书诗和其作者作较全面的介绍。

The paper described the six-folder-screen with six scenery pictures produced in 1950s. The screen was ever stored in Jiangxi Hall of the Great Hall of the People, and collected at Jiangxi Museum now. The paper gave a full introduction to the screen, including the content, art technology and inscriptions, etc.

8.瑞宝阁藏金铜佛像研究 邢继柱

（三）东北印度帕拉风格造像（7-12世纪）

东北印度曾是高度佛教化的地区，其造像风格吸收了其他地区的文化艺术，形成了一种整合的造像模式。本文介绍作者收藏的7-12世纪该地区帕拉风格造像。

The paper illustrated his collection of Buddha Statues of Para style from north-east India from 7th to 12th centuries.

9.胸襟潇洒墨花飞 徐贤卿 吴凤珍

——纪念蒲华逝世一百周年

蒲华与虚谷、任伯年、吴昌硕并称“海上四杰”。2011年是他去世100周年，浙江嘉兴博物馆、蒲华美术馆等单位联合举办“纪念蒲华一百周年学术研讨会”及“纪念蒲华逝世一百年周年书画大展”。蒲华书画大展调集浙江省各博物馆藏蒲华书画于一堂，集中展示。本文对蒲华书画大展作详细报道及介绍。

Pu Hua, Xugu, Ren Bonian and Wu Changshuo were called “Four Elites of Shanghai”. To commemorate the 100th anniversary of the death of Pu Hua, the Jiaxing Museum and Pu Hau Gallery held the seminar and exhibition of calligraphy and paintings in 2011. The exhibition collected and displayed all the calligraphy and paintings of Pu Hua. The article had the report on the exhibition in detail.